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America's Friendliest Airport

MUSEUM EXHIBITIONS

In 1989, the Phoenix Aviation Department began providing spaces for exhibitions to promote Arizona through its arts, culture, sciences, natural and historical attractions. Currently, the airport system has more than 25 display areas that include a gallery, built-in cases, and portable walls and pedestals. Display areas are added and changed as the airport grows. For images or additional information, call (602) 273-2105.

Terminal 4, International Concourse Hallway
Sheila Kollasch, Agave No. 2, © 1984, lithographic print on paper, 22” x 30 Through March, 2009
Western Visions

Featured works from the Phoenix Airport Museum permanent collection. The artists are: Kay Beaubien, Anne Coe, Robert Daughters, Betty Hahn, Adriel Heisey, Sheila Kollasch, William Lesch, Ed Mell, Stephen Morath and Brenda Semanick.

Terminal 4, International Concourse art cases (2)
Through March, 2009
Prints, a.k.a. Art
Cesar A. Martinez, Vato con Sunglasses ©1990, Lithograph, 30” x 22” (image only), Prints, a.k.a. Art

Fine art prints are original works, not copies of paintings or drawings. Artists use various printmaking techniques, alone or in collaboration with a master printer, to transfer their designs onto paper. They may create one or many original works of art. Each original is hand-produced and the artist is actively involved in the creative process. These prints are all from the airport’s art collection of more than 500 works in a variety of media.


Terminal 4, Level 1, east and west ends
Through May 1, Onging
Faces
Faces includes twenty-four panels by students at the New School for the Arts & Academics, Tempe, Arizona. Art Instructor Hector Ruiz gave each beginning to advanced drawing student a black and white copy of a group of women. Each student was asked to choose a section to draw faces from. Using bamboo pens and brushes with ink and ink wash, each student created a series of 15 portraits. Through repetition, the students increased their skills at portraiture and learned the subtleties of drawing with ink and ink wash.

Terminal 4, Level 2 (two cases)
Through Jan. 4, 2009
Hooves, Paws, Wings, Claws
Airport art collection:  Esmeralda DeLaney, Romeo, ©1987, stoneware, fiber, 18 x 24 x 9.5”  Phoenix Office of Arts and Culture Public Art Program purchase

Artists have been depicting animals in various ways since ancient times. Their animals may be a realistic depiction of a beloved family pet or exotic species. They may be playful and toy-like with wheels or a whimsical dog-pilot. Artists may illustrate a childhood memory or embellish an object with animal images. Whether they construct, print, sculpt or draw they show us hooves, paws, wings and claws.

This exhibition features 17 artworks from the Airport’s broad and varied collection of more than 500 pieces.

Terminal 4, Level 3 Gallery
Through Oct. 5, 2008
Flying the Skies: Artwork by Robert T. McCall
Airport art collection:  Robert T. McCall, Ruth Dailey Helm, ©2007, oil painting on canvas, 74x58” Phoenix Office of Arts and Culture Public Art Program commission

Robert T. McCall, who lives in Paradise Valley, Ariz., flew as a bombardier for the Army Air Force in World War II. When he had time, he painted the scenes he saw and experienced. After the war, aircraft became McCall’s specialty.

“When the space program started going in the 1950s, it was a natural extension of my interest in flight and flying to go from airplanes to spacecraft.” McCall has played a vital role in documenting the United States space program for more than 50 years, giving a unique insight into history-making advances in space.

In 2007, McCall was commissioned by the city of Phoenix to paint five portraits of Arizona aviation notables for inclusion in the Phoenix Airport Museum’s collection. This is the debut of those portraits.

Terminal 4, Level 3 Center Court, south wall
A Desert Romance Through Aug. 10, 2008
A Desert Romance
Paintings by Carol Ann Schrader

“Beautiful blue skies, relentless sunshine and a diversity and abundance of incredibly adaptive wildlife and plant life make the Sonoran Desert hard for anyone to ignore. This is particularly true for a painter living in the middle of it. Although my painting usually focuses on figure and still-life work of non-desert subjects, I thoroughly enjoyed painting only desert-related work during this past year. Now, I find that as I pursue my figure work, the desert seems to pursue me exerting a remarkable pull to explore, to imagine, and to paint.” — Carol Ann Schrader

Terminal 4, Level 3, east end, 4 cases – west end, 4 cases
Through Sept. 14, 2008
Eighty Years of Collecting Ideas and Objects: Museum of Northern Arizona
Fannie Nampeyo, Hopi/Tewa Polycrome Jar, early 20th century ceramic

Founded in 1928, the Museum of Northern Arizona in Flagstaff is dedicated to the study and interpretation of both science and art. It has extensive ethnographic and art collections documenting the natural and cultural history of the Colorado Plateau (northern Arizona, northwestern New Mexico, western Colorado, southeastern Utah).

On display at the Phoenix airport are ceramic objects, jewelry, katsina carvings and textiles made by the Diné (Navajo), Hopi and Zuni tribes. Artistic interpretations of the landscapes and its people (prints, paintings) and historical photographs also are exhibited.